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Snoop Doggy Dogg - Doggystyle album

Snoop Doggy Dogg - Doggystyle album Performer: Snoop Doggy Dogg
Title: Doggystyle
Style: Gangsta, G-Funk
Date of release: 2001
Country: US
Size MP3: 1488 mb
Size FLAC: 1248 mb
Rating: 4.4
Format: DXD AIFF MOD WAV DTS MIDI MPC

Snoop's 1993 debut album in its original form, with 9 tracks that were cut from the released version, no skits, and the OG demo versions of What's My Name, Gin and Juice, Murder was the Case, Ain't No Fun and Doggy Dogg World

Doggystyle is the debut studio album by American rapper Snoop Doggy Dogg. It was released on November 23, 1993, by Death Row Records and Interscope Records. The album was recorded and produced following Snoop's appearances on Dr. Dre's debut solo album The Chronic (1992), to which Snoop contributed significantly. The West Coast style in hip-hop that he developed from Dre's first album continued on Doggystyle.

Бесплатная загрузка Snoop Dogg – Doggy Style Mp3. Чтобы начать загрузку вам нужно нажать на кнопка. Мы рекомендуем первую песню под названием Snoop Dogg – Doggy Style. mp3 с качеством 320 кбит/с. Snoop Dogg - Doggystyle (FULL ALBUM). 52:33 Размер: 7. 7 MB 192 Kbps. Snoop doggy dogg - Gz and hustlas. 04:36 Размер: . 2 MB 192 Kbps.

Pump Pump (Doggystyle Album Rip). Прослушать Скачать 03:38. Snoop Doggy Dogg feat. Прослушать Скачать 04:06. Who Am I (What's My Name?) Прослушать Скачать 04:35. Snoop Dogg, Nancy Fletcher (Doggystyle). Gz And Hustlas (feat. Прослушать Скачать 03:31. Dr. Dre and Dat Nigga Daz. Gin And Juice (Doggystyle - 1993).

Snoop Doggy Dogg – Doggystyle (Full Album, 1993). Snoop Dogg – Murder Was The Case (Death After Visualisin. 4:39. Snoop Doggy Dogg – Doggystyle (Full Album, 1993). Snoop Doggy Dogg – Murder Was The Case. Snoop Dogg – gin and juce. ru – G-Funk Intro Для загрузк. :40. Snoop Doggy Dogg – The Next Episode Feat Dr. Dre 199. :07. Snoop Dogg – Ain t No Fun (If The Homies Can t Have None. 4:55. Snoop Doggy Dogg – Doggystyle Album 1993. Snoop Dogg – Gz And Hustlas feat Nancy Fletcher.

Doggystyle, the debut album by Snoop Doggy Dogg, was released by Death Row Records on November 23, 1993. Following his appearances on Dr. Dre’s Deep Cover and The Chronic album in 1992, Snoop’s debut was highly anticipated. This album, along with The Chronic, are viewed as two of the most important West Coast albums of all-time as they helped further establish the G-Funk sound and gangsta rap, influencing artists outside of the West Coast to try and emulate their sound and success. The album has been featured on numerous all-time lists, including The Source’s 100 Best Rap Albums, Rolling Stone’s Essential Recordings of the 90s, and Stylus Magazine’s Top 200 Albums of All-Time.

Snoop Dogg's Doggystyle is a mixed hardcore pornography and hip-hop music video featuring the music of rapper Snoop Dogg and presented by him. It was released in 2001. It was the first hardcore video ever listed on the Billboard music video sales chart. Because of its huge success, it started a trend where rappers are put into the mainstream of the porn industry by hosting X-rated films. Many films of the genre followed, starring Necro, Mystikal, Too Short, Ice-T and Yukmouth.

Tracklist Hide Credits

A1 Snoop Doggy Dogg* Bathtub
A2 Snoop Doggy Dogg* G Funk Intro
A3 Snoop Doggy Dogg* Gin And Juice
Vocals [Additional Vocals] – Dat Nigga Daz
A4 Snoop Doggy Dogg* Tha Shiznit
B5 Snoop Doggy Dogg* Lodi Dodi
Vocals [Additional Vocals] – Nancy Fletcher
B6 Snoop Doggy Dogg* Murder Was The Case (Death After Visualizing Eternity)
Featuring – Dat Nigga Daz
B7 Snoop Doggy Dogg* Serial Killa
Featuring – RBX, Tha Dogg Pound, D.O.C.*
C8 Snoop Doggy Dogg* Who Am I (What's My Name)?
C9 Tha Dogg Pound For All My Niggaz & Bitches
Featuring – The Lady Of Rage
C10 Snoop Doggy Dogg* Aint No Fun (If The Homies Cant Have None)
Featuring – Kurupt, Nate Dogg, Warren G
D11 Snoop Doggy Dogg* Doggy Dogg World
Featuring – Tha Dogg Pound, The Dramatics
D12 Snoop Doggy Dogg* Gz And Hustlas
Backing Vocals [Background Vocals] – Nancy Fletcher
D13 Snoop Doggy Dogg* Pump Pump
Featuring – Lil Hershey Loc, Lil Malik*

Companies, etc.

  • Distributed By – Death Row Recordings, LLC
  • Manufactured By – Death Row Recordings, LLC
  • Phonographic Copyright (p) – Death Row Recordings, LLC
  • Copyright (c) – Death Row Recordings, LLC
  • Pressed By – Rainbo Records – S-47611
  • Pressed By – Rainbo Records – S-47612
  • Pressed By – Rainbo Records – S-47613
  • Pressed By – Rainbo Records – S-47614
  • Lacquer Cut At – Better Quality Sound

Credits

  • Executive-Producer – Suge Knight
  • Lacquer Cut By – Dc*
  • Producer [Produced By] – Dr. Dre

Notes

℗© 1993. 2001 Death Row Recordings, LLC.
Manufactured and Distributed by Death Row Recordings, LLC.

Back cover states: "☮ to the streets"

Spine reads:
Death Row Recordss [sic] Snoop Doggy Dogg + Doggystyle DRR 63002-1

The track listing on the vinyl labels uses continuous numbering (1 to 13).

B6 is listed as "Murder Was The Case (DeathAfterVisualizingEternity)" on the back cover, while the label lists it as "Murder Was The Case (Death After Visualizing Eternity)".

The featuring credit on D13 is listed as "Featuring Lil Malik, aka Lil Hershey Loc".

Barcode and Other Identifiers

  • Barcode (Text): 7 28706 30021 6
  • Barcode (Scanned): 728706300216
  • Matrix / Runout (Runout side A, etched): 6807-63002-1 (A) S-47611 DcBqs
  • Matrix / Runout (Runout side B, etched): 6807-63002-1 (B) S-47612 DcBqs S-47612
  • Matrix / Runout (Runout side C, etched): 6807-63002-1 (C) S-47613 DcBqs
  • Matrix / Runout (Runout side D, etched): 6807-63002-1 (D) S-47614 DcBqs

Other versions

Category Artist Title (Format) Label Category Country Year
92279-1 Snoop Doggy Dogg* Doggystyle ‎(LP, Album) Death Row Records , Interscope Records 92279-1 US 1993
CDL 50605 Snoop Doggy Dogg* Doggystyle ‎(CD, Album, Club) Death Row Records , Interscope Records CDL 50605 US 1996
KR-002 Snoop Doggy Dogg* Doggystyle ‎(CD, Album, RM) КИЛЛА Records, Death Row Records KR-002 Russia 2002
DROW 116 Snoop Doggy Dogg* Doggystyle ‎(CD, Album, RM, RP) Death Row Records , Ron Winter Productions DROW 116 UK 2001
7 92279-2 Snoop Doggy Dogg* Doggystyle ‎(CD, Album, Club) Death Row Records , Interscope Records 7 92279-2 US 1993

Tracklist Hide Credits

1 Snoop Doggy Dogg* Bathtub 1:50
2 Snoop Doggy Dogg* G Funk Intro
Vocals [Uncredited] – The Lady Of Rage
2:24
3 Snoop Doggy Dogg* Gin And Juice
Vocals [Additional] – Dat Nigga Daz
3:31
4 Snoop Doggy Dogg* Tha Shiznit 4:40
5 Snoop Doggy Dogg* Lodi Dodi
Vocals [Additional] – Nancy Fletcher
5:01
6 Snoop Doggy Dogg* Murder Was The Case (DeathAfterVisualizingEternity)
Featuring – Dat Nigga Daz
3:38
7 Snoop Doggy Dogg* Serial Killa
Featuring – RBX, Tha Dogg Pound, D.O.C.*
3:32
8 Snoop Doggy Dogg* Who Am I (What's My Name)?
Rap [Uncredited] – Dr. DreVocals [Uncredited] – Jewel*, Tony Green
4:06
9 Tha Dogg Pound For All My Niggaz & Bitches
Featuring – The Lady Of Rage
4:43
10 Snoop Doggy Dogg* Aint No Fun (If The Homies Cant Have None)
Featuring – Kurupt, Nate Dogg, Warren G
4:06
11 Snoop Doggy Dogg* Doggy Dogg World
Featuring – Tha Dogg Pound, The DramaticsVocals [Uncredited] – Nancy Fletcher
5:38
12 Snoop Doggy Dogg* Gz And Hustlas
Backing Vocals – Nancy Fletcher
4:35
13 Snoop Doggy Dogg* Pump Pump
Featuring – Lil Hershey Loc, Lil Malik*
4:41

Credits

  • Executive-Producer – Suge Knight
  • Producer – Dr. Dre

Barcode and Other Identifiers

  • Barcode (Text): 5 033809 211624
  • Matrix / Runout (Variant 1): GW N11614 DROW 116
  • Matrix / Runout (Variant 2): GZ N11614 DROW 116

Other versions

Category Artist Title (Format) Label Category Country Year
92279-1 Snoop Doggy Dogg* Doggystyle ‎(LP, Album) Death Row Records , Interscope Records 92279-1 US 1993
CDL 50605 Snoop Doggy Dogg* Doggystyle ‎(CD, Album, Club) Death Row Records , Interscope Records CDL 50605 US 1996
KR-002 Snoop Doggy Dogg* Doggystyle ‎(CD, Album, RM) КИЛЛА Records, Death Row Records KR-002 Russia 2002
7 92279-2 Snoop Doggy Dogg* Doggystyle ‎(CD, Album, Club) Death Row Records , Interscope Records 7 92279-2 US 1993
DRR 63003-2 Snoop Doggy Dogg* Doggystyle ‎(CD, Album, Enh, RE, RM) Death Row Records DRR 63003-2 US 2002


User reviews
Gabar
A digital remaster but it sounds okay! Clean flat pressing. Detailed sound but a little heavy on the compression and that sucks some of the life out of the tracks. Early pressings capture a much fuller, warmer and rich sound. Very listenable and a good price for want you get.
DEAD-SHOT
I'll agree with most of the comments on here, it does sound like they did a major bass boost to album. Take that as you will, people seem to love it or hate it. Me personally, I think its a little overkill but if you find yourself in a spot where this is a good price, I would grab it.
Malojurus
One of my best sounding records, I can only imagine the 93 press has different mastering (as mentioned in the "remastered" versions here-forth) as this sounds amazing. 0 regrets in getting this version, sounds very clean (personally more detailed than digital, but that gets into semantics and debates I guess)
Just_paw
Just picked up a sealed copy and gave it a good cleaning before playing. It sounded pretty good to me, better than my recent downloaded version, and none of the negatives that others mentioned. The only cons for me was the quality control of the vinyl itself. Swirl marks on both sides and a couple of rough edges. As condition is important for me, I was not happy opening a sealed copy to see that.Regardless, sounds very good, no distortion, excellent clean sounding bass, and clean mixing from Dre. It definitely brought me back to 1993 when I first bought the CD and became a new instant Snoop fan!
Tegore
Needed to correct my comment by just having listened to both once again. 93 press wins hands down for me. They raised the bass too much and overprocessed the master on the 2LP repress wich makes it sound closer to the CD version than a vinyl. A lot of gain but it lacks seperation and deepness in the mix. But still it sounds clean, it's just a matter of taste.
Voodoolkree
To compare this one with my 1LP 1993 US repress they made due to the sampke clearence. I must admit on the good side that it's a pleasure that I do not need to raise the gain all the way up like on the 1993 release. But to me none is better than the other, they just sound different. It might have to do with both the change of master, now going digital to analog while it was tape analog to analog on the 1LP press. On this repress they managed to expand bass seriously, but it does not go to the ridiculous point of the "What's my name ?" single CD wich sounds too much, muddy. The original press gives a better separation of the different tracks (instruments) to me while it seems to lack just a bit of bass and has a whole lower playing level. Now I don't know if this is a view of my mind, but most of my single LP that I don't like for their lack of gain, on the other side give me a true satisfaction when it comes to mix equalisation and separation. May be someone can correct...
Lightbinder
You aren't joking around about What's My Name lol even though it's labeled as LP Version on the single, it sounds a lot different.
Fesho
Listening to this now and it sounds great on my system. Crisp and clear. The bass sounds amazing.
SoSok
Yeah not a good remastering here, sounds distorted probably best to avoid
Pruster
Just picked it up from Amazon, and on the first spin, I agree. I know the CD very well--and this is a questionable vinyl press. Very sibilant at the end, and with a system that cuts down on IGD, this is an example of lazy mastering.
Flamekiller
I recently purchased this record BRAND NEW and sealed (in 2017). It was from London Drugs in Canada. The strange thing is...it looks IDENTICAL to THIS 2001 2x LP pressing. Even the numbers / letters engraved into the runout appear the same. Unfortunately I don't have a 2001 pressing to compare with. I find it hard to believe that London Drugs (which stocks only new vinyl) could have a 2001 pressing...but it SURE looks like the pics of a 2001 pressing.
Beabandis
It's because this is considered new. This 2001 version has never been out of print or out of stock. They made so many of them tha record stores are still able to orde and stock it
Fast Lovebird
I only own the remastered version (this one). I´ll try to listen to the original one, until now and without knowing how the original one sounds i thought this copy sounds okay.
hulk
I'm surprised to hear people say this version sounds lousy. On my stereo, this thing sounds amazing. If the original sounds any better than this, it'd be worth the big bucks they're asking for it. I mean, I get it. You kinda pity the naiveté of people who once thought plastering "Digitally Remastered" on a jacket was a selling point. But if it's hurt this album any, I can't hear it.And sound is what this album is all about, IMO. Especially side one, it's just so...immersive. The snaky, fuzzy, low-end bass synth, topped with sensual/spooky synth lines and sleigh bells - it's just an amazing record, very visceral. Still fresh as fuck, today. For me, it's always about the music, the sound, the production. The music is definitely there on this disc, and Snoop's got a very laid-back flow. Laaaaaid, back. A stone classic.
Kezan
The problem with this release is that they raised the Loudness up too high, and the whole thing just sounds distorted as hell. Not a great pressing. Yea the bass is cranked but I'd rather have less bass and less distortion.
Thozius
Yep, my thoughts exactly! on vinyl, louder is not better..
Drelalen
I seem to be having the opposite experience of everyone else who has reviewed this, so for what it's worth my copy sounds fantastic. To me they did a great job spreading the tracks out and the sound is full. Bass sounds great and so do the vocals. No distorted s's even, which are very common on lower quality rap recordings in my experience. I snagged this in my local store on a whim and did not even notice the "Digitally Remastered" on the cover until I got on this page. That would have scared me, but it actually sounds fantastic on my setup. And hardly any surface noise at all.
Ynneig
Mine sounds amazing Crystal Clear too my TT set up is nothing to fancy a Reloop 4000m with stock Ortofon OM Black, Yamaha HTR 5150's built in phono stage, and Paradigm V4 Atoms and a 10 in PS Series Sub.
Marilbine
Yeah, I'm with you on this one. I'm not feeling any distortion. Bass is clear and defined, even when booming, and doesn't obscure the vocals at all. Surface noise is practically nonexistent. Overall, on my system, this remaster and pressing sound great.
salivan
This is the worst sounding LP in my collection. I don't think the digital remaster done it any favours. Pity, as I think the original album is great.
Leceri
You hit the nail on the head! One of my FAVORITE albums, although it has aged somewhat. But this is the worse version I have ever heard. Low Bass in my opinion, and there is no stereo separation.
ACOS
I couldn't agree more.Just did a quick comparison of this 2001 2LP digital remaster with the 2001 CD remaster and the 1993 original German pressing:the 2LP digital remaster sounds terrible.The CD remaster however actually sounds pretty decent and very similar to the nicely sounding 1993 original German pressing (despite it being just 1LP!).
CrazyDemon
I think the same!
asAS
How does this sound vs. the original?
FEISKO
Might be a bit late for a reply, but: The remaster sounds terrible, if you compare it to any of the Original Pressings, despite those being only 1LP, as opposed to this 2LP remaster…I was really astonished about this.I will try to upload some comparison clips on YouTube soon (1993 1LP original German issue VS. 2001 2LP digital remaster issue VS. 2001 CD digital remaster issue).
Samutilar
Could this be caused by your set up? I'm listening to it now and though the bass has been cranked pretty hard, it sounds really good and I'm not getting any of the distortion being mentioned.
huckman
I have both. I think on the original the vocal is a little clearer. This repress sounds much louder though at the same volume, and also comes on 2 disk rather than one. The bass has more kick and is more prominent in general, but I am not sure if this is due to another example of the 'loudness wars' or what.Personally, I don't think most people would be disappointed with either, but if I had to pick, I'd go with the original. It sounds a little flatter maybe, less dynamic, but because of that a little more organic.
Rindyt
Hey. I have not listened to the original vinyl pressing but this one was quite loud and caused a little bit of distortion, much the The Chronic remastered vinyl. Hope it helps!