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Oforia - Delirious album

Oforia - Delirious album Performer: Oforia
Title: Delirious
Style: Goa Trance
Date of release: 1998
Country: UK
Size MP3: 1313 mb
Size FLAC: 1159 mb
Rating: 4.7
Format: ASF AA DMF MP4 XM MPC AIFF

This album comes with harder, darker and twisted goa sound. Oforia uses many psychedelic elements and powerfull beats, which could shake your tired body on the floor. But this CD is good for home listening too. No bad tracks - no superhits here, only high quality darker goa trance.

Delirious ‎(2xLP, Album). This album comes with harder, darker and twisted goa sound.

The next Oforia album was Let It Beat that hit the psytrance scene in 2002. Headed for Infinity was promoted with 12"-vinyl single release, being two remixes from . and Violet Vision of "Northern Lights". The next album was released in 2006 under the title Inner Twist considered one of his best musical outputs contains hits like "Spiders", "Inner Twist", "Adrenaline", "Show No Mercy" and "Return of the Machines", the latter a big international hit made in collaboration with Bwicked. 1998: Oforia – Delirious. 1998: Oforia – Pigs in Space. 1999: Oforia – Off The Ground.

on Aug 19, 2013 by DESTINATION GOA. Play. oforia oasis full length from the new album. on Mar 01, 2016 by Oforia. Oforia - Delirious (Full Album). on Jun 22, 2016 by OM-Shanti 2. lord funk full lenght album version lord funk. on May 26, 2014 by delirious music. on Jul 02, 2015 by Oforia.

Tracklist Hide Credits

1 Maximiser 7:41
2 Cream 7:48
3 Compulsive Dance 7:54
4 Psycho Sonic 7:27
5 Uplifter 8:45
6 Outer Conception
Written-By – Eric Ben Simon
8:20
7 Delirious 9:06
8 Why Not On Mars? 9:38
9 Dew Point 7:37

Companies, etc.

  • Distributed By – Nova Tekk Media + Distribution – CD 90309-19
  • Record Company – Nova Tekk GmbH
  • Phonographic Copyright (p) – Dragonfly Records
  • Copyright (c) – Dragonfly Records
  • Licensed From – Big Life Records Ltd.

Credits

  • Mastered By – Ben Berenfield*
  • Written-By, Producer, Mixed By – Ofer Dikovsky

Notes

All tracks written, produced & mixed in the Oforia Sonic Zone.

The copyright in this sound recording is owned by Dragonfly Records. (P) & (C) 1998 Dragonfly Records.

Barcode and Other Identifiers

  • Barcode: 4 025905 903092
  • Label Code: LC 7467

Other versions

Category Artist Title (Format) Label Category Country Year
BFLCD 26 Oforia Delirious ‎(CD, Album) Dragonfly Records BFLCD 26 UK 1998
BFLLP 26 Oforia Delirious ‎(2xLP, Album) Dragonfly Records BFLLP 26 UK 1998
NTD 90311-22 Oforia Delirious ‎(2xLP, Album) Dragonfly Records NTD 90311-22 Germany 1998


User reviews
Kerry
I know what you're thinking. Is this album packed with 5 or only 4 tracks introducing modulation? Well, I must admit in the heat of the modulation blitz on this album I kinda lost track myself, but considering this album was made with modulation lovers in mind AND as such will blow your head CLEAN off, you just gotta ask yourself one question: Do I like modulation? Well, do you ... punk?! Apologies for the long introduction but the heavy use of modulation (i.e. a change in pitch, typically, one note up or down) on this album calls for attention. It's an old debated topic in psytrance circles: Is it cheesy or ain't it? I find it cheesy, I'm afraid, not quite sure what bugs me the most; the fact that the artist wants to entertain me doing the exact same thing only one note different or the fact that the artist apparently doesn't have any more to offer! Not that there is anything wrong with modulation in itself, but it's a tricky path to walk. One example (of many!) where it's used splendidly is Cosmosis' track Inner Space from Contact. On Delirious it just sounds like a typical, easy way out. Anyhow, besides challenging my taste with his love for modulation, Oforia's album aint bad. Aint bad at all :o) It holds much of the mid nineties goa'ish feeling I like from this period, though I prefer it even more melodic. Closing track Dew Point is a beauty, though. Also opener Maximiser, Cream, and the title track Delirious maintains a good pumping rhythm and are bound still to set the dance floors on fire. Provided the modulation issue isn't an issue! So, in conclusion. If you don't mind or even like modulation and looking for quality mid nineties goa, you need to try this. Chances are you'll love it for it's catchiness, energy, and goa'ish feeling. If you don't like modulation this album will put you to the test on 4 tracks, but there may very well be enough good tracks to go around still :o)
elegant stranger
TheDSM, you should probably educate yourself what Modulation in music means. https://en.wikipedia.org/wiki/Modulation_(music)then, you might want to understand the difference between modulation and transposition.https://livingpianos.com/music-theory/what-is-the-difference-between-modulation-and-transposition-in-music/Transposition is simply changing the key of a piece of music or section of music to another key. Modulation is changing keys within a piece of music, often times coming back to the original key. There can be many modulations within a piece of music.and yes, modulation or transposition in trance is very cheesy imo.
Leyl
You seem to be mistaken in your understanding of what modulation is. Modulation is not when the melody is shifted up or down a note, thats transposition. The melody is TRANSPOSED up a note. Modulation is the dynamic change in an effect like a filter. Ex: "I modulated the cutoff until the melody screamed and then transposed it down a semitone to get the crowd going."
EROROHALO
I think you are overlooking the real purpose of "modulation-heavy" psytrance... This is not meant to be "innovative," but rather to be danced (stomped) to. Oforia was a master at the 7 minute track that worked like a wave; if you caught and rode it you would transcend time and space, but if you missed it, it looks like nothing special.Ofer had the right idea (like Etnica) have several different side projects exploring different parts of the sound. Oforia was his "Wall of sound and modulation" project, Tandu was the full-on lead-synth and 303 project, and Pigs in Space was more of a fusion between the two. ANYWAYS, just wanted to throw in my $0.02